Audio cleanup should preserve the voice, not just remove noise
Compare original and processed audio at a similar listening level, checking consonants, breaths and backgrounds for excessive reduction.
Read original guides to prompts, image editing, video shots, narration and delivery checks.
Compare original and processed audio at a similar listening level, checking consonants, breaths and backgrounds for excessive reduction.
Check wording, timing, line breaks and obstruction separately so that captions remain readable at their actual playback size.
Link descriptions, assets, selected versions and review notes so that collaboration causes fewer repeated generations and mistaken deliveries.
Start with the subject and composition, then add lighting and texture. Change one type of requirement at a time so you can see which sentence helped.
Make the two reference images compatible in subject, viewpoint and action before testing the movement between them, reducing unnatural jumps.
Separate what needs to change from what must stay the same, reducing the chance that a small edit affects the whole image.
Check a product’s outline against light, dark and final-layout backgrounds so that transparency, reflections and shadows do not cause surprises at delivery.
Define the image’s purpose, then revise composition, lighting and materials in separate rounds. Judge each instruction by the visible difference it makes.
Check visuals, sound, text, and the file itself separately. This makes omissions easier to spot than watching a preview once.
Divide an idea into an opening, an action and an ending. Define each shot’s subject, movement and continuity conditions separately.
Check subject, contrast and empty space at actual card size, rather than choosing a detailed image that loses its meaning when reduced.
Check real structure, local textures and intended display size so that newly generated detail is not mistaken for original information.
Turn written paragraphs into speech-friendly sentences, then use a short listening test before producing the entire narration.